A View of the World Art of the Americas
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Features
Simone Leigh's Sovereign Territory
The Gilded Lion winner's Black female figures stake their claim—physically and morally—to the U.s.a. Pavilion at the Venice Biennale.
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Sculptor Diana Sofia Lozano Challenges Classification with Fantastic Flora
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In Print: New Talent
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Lambasting Reality
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New Impressions of the Human
Latest Reviews
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New York
Straight and Narrow: André Cadere at Ortuzar Projects
Known for his promenades with sculptural, colorful wooden staffs, André Cadere worked between several traditions, from institutional critique to Minimalism, as this survey illuminated.
By David Ebony
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Los Angeles
A Handbag with a Fine-Tooth Comb: Victoria Gitman at François Ghebaly
Exquisitely detailed and painstakingly produced, Victoria Gitman'southward paintings of embellished accessories and Old Master portraits of women explore the constraints and conventions of beauty.
By Annabel Osberg
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New York
Disquiet in the Abstruse: The 2022 Whitney Biennial
Mounted after three years of societal upheaval, the Biennial tries to position representations of unrest and inequity alongside looming abstractions.
By Simon Wu
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Dallas
Prisms of Influence: "Sideslip Zone" at the Dallas Museum of Art
Connecting Modernism to Mono-ha to Minimalism, this exhibition suggests that postwar abstraction involved more international exchanges than single vectors of influence.
By Logan Lockner
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St. Louis
Mountains and Glue: "Associates Required" at the Pulitzer Arts Foundation
An exhibition of participatory fine art suggests that viewers stride up to the piece of work (or at times step on it), but flattens the context that gives such gestures meaning.
By Nora Kovacs
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Boston
Archived Opposition: "Art for the Hereafter" at Tufts University Art Galleries
Curators revisit a massive 1980s creative person-led initiative intended to stop the United States from interfering in South American politics and conflicts.
By Mahan Moalemi
From the Art in America Guide
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Source: https://www.artnews.com/c/art-in-america/
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